The Roller→

This is the heart of the patented invention: the shell, its flexible rods and its screws form an inseparable assembly, completed by the tongue (shown below). Same mechanics as the Original, same capabilities, same method — plus three integrated additions for comfort: Support Clamp, pusher, and magnets, shown just below. And for purists, the "French method": a precise cut of the paper, with no excess (detailed in the How to Use guide).

A practical detail: in the middle of the base, a maintenance hole makes it easy to clear out any leftover debris. Once the tongue is inserted, it's closed off.

And to see these additions in action, two places to look: the Roller animation on the homepage — you can operate the Pusher and open the Support Clamp there — and the King Size Batte animation, on the How to Use page, with two scenes that show what happens inside.

The Pusher→

The Pusher solves a real puzzle: the Roller rolls so cleanly that the cone comes out wedged between the four bottom rods — impossible to grab by hand. With the Original, there's the trick, shown in the animation: turn a gear screw a quarter turn to release the cone through one rod. It works, but it's a workaround.

So I invented a complete, more elegant solution: a system that pushes the cone from below, on the tip side, and lifts it out. Like the Support Clamp, it's a combination of four parts — plus a spring that returns the Pusher to its resting position, so it never gets in the rods' way. Nearly two months of research and dozens of trials: the part traveled all over the Roller before finding its place.

To see it in action: in the Roller animation, on the homepage — press the button, watch the four bottom rods react — and above all in the see-through scene of the King Size animation, on the How to Use page: pressure from below bends the flexible rods upward, and the wedged cone simply pops out.

The Grand Tasseur→

Built into the side of the Roller — always within reach, impossible to lose — the Grand Tasseur is used to tamp the material before rolling. Its curved shape, sized to match the Roller, spreads the material evenly and gives it a slight dome. This is the moment to take care: avoid the "step" between the tip and the material — too much material right after the tip, and the cone forms too wide, the tip floats.

And feedback from my testers: its shape makes it a perfect little spoon for pouring the last bits into the formed cone.

The gear→

The gear distributes force and pressure evenly along the whole length. It's what turns a simple motion into a clean, consistent cone, with no jerks.

And it hides a trick: a socket designed to receive the bit of a standard power drill. While waiting for the future motorized housing, rotation can already be motorized — valuable for people with disabilities or anyone who struggles with the turning motion… and remarkably efficient, and stylish, for everyone else.

The Sizing Gauge→

The Sizing Gauge is multifunctional. First, a double template: for the tip width, with its two holes — 6 mm for the normal size, 7 mm for the wide — and for the paper length, with its maximum size to respect, otherwise the paper jams at the Roller's entrance. Placed on the paper, on a flat surface, it allows a clean cut, both in length and width.

Then, repeatability: its markings let you recreate exactly the same batte — paper length, tip width, amount of material — and match the settings given by the Build Your Batte page. Paired with the Clamp, it enables the "French method" cut: its marks every 5 mm guide the perfect batte, the Clamp holds, the Sizing Gauge guides, good scissors do the rest. It's all detailed on the How to Use page, in the section on the "French method" — and the learning roll is there to practice.

The Storage Batte→

No complete case without its batte: it's the part that carries the brand's name, the signature object. It opens via its cap: your creation slides inside, protected, ready to go with you — with its own style for each collection. And nestled in the Storage Box, it stands upright, nice and stable — you can see it in the 3D unboxing.

The Storage Box→

The Storage Box is the case's free space: keep whatever you like in there. And it has another talent: its notch clips perfectly onto the Batte's handle, holding it upright, nice and straight — a stable display. A comfort piece that completes the object. On the Premium Max, it's bigger than on the other two boxes — room for everything you want to put in it.

6 replacement gear screws→

With me, everything comes apart: the screws, the rods — every part can be removed, washed, replaced. That's intentional: the best materials, zero planned obsolescence, a Roller built to last for years — swap the rods or screws once in a while, and off you go again.

The screws are the small parts doing the work with every rotation. At my request, my testers pushed them hard — deliberately rough handling, tough conditions — to find the limit. So rather than wait: a set of 6 new screws, included free in every box. A bit more plastic and print time for me, zero unpleasant surprises for you.

The roomier case→

The case's front folds down at 90° and displays the Batte, held by its two discreet rings — a deliberate hold, so it doesn't move: lift it out gently, one side at a time, that's the motion I recommend. And with the case closed, this front panel is a pleasure to look at: colorful artwork, with the multicolor logo and title in your collection's tones. A detail that's purely there to delight — and that's exactly the point.

And under the Roller, the base hides a storage space — enough to keep your tongues without folding or squashing them, just as they are.

The Learning Kit→

A roll of 4 meters of learning paper, designed for one thing: giving yourself permission to mess up. The first tries are surprising — the Roller is a little counter-intuitive: everyone's instinct is to place the paper in the middle and the material at the center… and that's exactly what you shouldn't do. A few tries and you get the hang of it: 90% of mistakes come from poor paper placement — the corner, the alignment — or from too much material, or material that's poorly tamped. The FAQ will explain, based on your result, where it went wrong and how to fix it.

And above all: if it doesn't work out at first, it's not your paper wasted — the first four meters are on me. After that, your best ones are all yours.